Descrizione

Magazzino CA<div><br></div><div><h1 class="text-secondary h3 mb-2" style="box-sizing: border-box; margin-top: 0px; font-weight: 500; line-height: 1.1; font-size: 2rem; word-break: break-word; margin-bottom: 0.5rem !important; font-family: filosofia, serif !important; color: rgb(179, 31, 44) !important;">Il poliziesco e la letteratura italiana contemporanea</h1><h5 class="text-secondary" style="box-sizing: border-box; margin-top: 0px; margin-bottom: 0.5rem; font-weight: 500; line-height: 1.1; font-size: 1.25rem; font-family: filosofia, serif !important; color: rgb(179, 31, 44) !important;"><em class="corsive" style="box-sizing: border-box;"></em></h5><span class="h5 d-block" style="box-sizing: border-box; margin-bottom: 0.5rem; line-height: 1.1; color: rgb(33, 37, 41); font-size: 1.25rem; word-break: break-word; font-family: filosofia, serif !important; display: block !important;">Alberto Sebastiani</span><div class="ppcp-messages" data-partner-attribution-id="Woo_PPCP" 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font-weight: 700 !important; color: rgb(179, 31, 44) !important;">Edizione:</span>&nbsp;&nbsp; Marzo 2026</li><li class="mb-0" style="box-sizing: border-box; margin-bottom: 0px !important; font-size: 15px !important;"><span class="text-uppercase text-secondary font-weight-bold" style="box-sizing: border-box; word-break: break-word; text-transform: uppercase !important; font-weight: 700 !important; color: rgb(179, 31, 44) !important;">Collana:</span>&nbsp;&nbsp;&nbsp;<a href="https://www.carocci.it/collana/studi-superiori" class="text-secondary" style="box-sizing: border-box; text-decoration: none; background-color: transparent; color: rgb(179, 31, 44) !important; outline: none !important;">Studi Superiori</a></li><li class="mb-0" style="box-sizing: border-box; margin-bottom: 0px !important; font-size: 15px !important;"><span class="text-uppercase text-secondary font-weight-bold" style="box-sizing: border-box; word-break: break-word; text-transform: uppercase !important; font-weight: 700 !important; color: rgb(179, 31, 44) !important;">ISBN:</span>&nbsp;&nbsp; 9788829035267</li><li class="mb-0" style="box-sizing: border-box; margin-bottom: 0px !important; font-size: 15px !important;"><span class="text-uppercase text-secondary font-weight-bold" style="box-sizing: border-box; word-break: break-word; text-transform: uppercase !important; font-weight: 700 !important; color: rgb(179, 31, 44) !important;">Pagine:</span>&nbsp;&nbsp; 212</li></ul><div><h6 class="text-uppercase text-secondary font-weight-bold description-title mb-2 primary-font" style="box-sizing: border-box; margin-top: 14px; font-family: Inter, sans-serif; line-height: 1.1; font-size: 1rem; padding-bottom: 2px; background-color: rgb(255, 255, 255); margin-bottom: 0.5rem !important; color: rgb(179, 31, 44) !important; text-transform: uppercase !important;">In breve</h6><div id="small-description" class="the-content small" style="box-sizing: border-box; color: rgb(33, 37, 41); font-family: Inter, sans-serif; background-color: rgb(255, 255, 255); font-size: 14px !important;"><div id="excerpt-content" style="box-sizing: border-box;"><p style="box-sizing: border-box; margin-top: 0px; margin-bottom: 1rem;">Il volume delinea un percorso teorico, storico, stilistico e tematico nella tradizione del poliziesco, affrontando in particolare il panorama italiano, nel contesto europeo tra XIX e XXI secolo. Viene così evidenziata la ricchezza di soluzioni formali e contenuti di una tipologia testuale spesso disprezzata dalla critica, amata però da milioni di lettori anche perché capace di raccontare storie che toccano argomenti rilevanti sul piano sociale e politico e che, ibridando realtà e finzione, offrono intrattenimento insieme a prospettive e riflessioni non banali sul mondo circostante. Il poliziesco dialoga col suo tempo, sa disattendere le attese del lettore, si sottrae agli schemi canonici, problematizza figure ricorrenti, e rivela attenzione a questioni di genere, alla storia recente e all’attualità del nostro paese. Lo studio si muove nel quadro teorico dei modi letterari per mostrare la vitalità del poliziesco fra i linguaggi, tra generi e sottogeneri, ripercorrendo testi e serie che da Jarro, Varaldo e De Angelis giungono fino a Scerbanenco, Lucarelli, Camilleri, Carlotto e Verasani, nonché all’interno di narrazioni che vanno dai romanzi storici o di fantascienza alla letteratura ritenuta non di genere, da Eco a Evangelisti, Vallorani, Coccioli e Saviano.</p></div></div><a class="text-uppercase text-secondary font-weight-bold d-block mb-1 mt-2" href="https://www.carocci.it/prodotto/il-poliziesco-e-la-letteratura-italiana-contemporanea#" data-toggle="modal" data-target="#description-modal" style="box-sizing: border-box; text-decoration: none; background-color: rgb(255, 255, 255); font-family: Inter, sans-serif; font-size: 16px; color: rgb(179, 31, 44) !important; outline: none !important; display: block !important; margin-bottom: 0.25rem !important; margin-top: 0.5rem !important; text-transform: uppercase !important; font-weight: 700 !important;">indice &nbsp;&nbsp;<span class="fa fa-angle-right font-weight-bold" style="box-sizing: border-box; font-weight: normal; display: inline-block; font-variant: normal; font-size-adjust: none; font-language-override: normal; font-kerning: auto; font-optical-sizing: auto; font-feature-settings: normal; font-variation-settings: normal; font-stretch: normal; line-height: 1; font-family: FontAwesome; font-size: inherit; text-rendering: auto; -webkit-font-smoothing: antialiased;"></span></a><a class="text-uppercase text-secondary font-weight-bold d-block mb-1 mt-2" href="https://www.carocci.it/prodotto/il-poliziesco-e-la-letteratura-italiana-contemporanea#" data-toggle="modal" data-target="#description-modal" style="box-sizing: border-box; text-decoration: none; background-color: rgb(255, 255, 255); font-family: Inter, sans-serif; font-size: 16px; color: rgb(179, 31, 44) !important; outline: none !important; display: block !important; margin-bottom: 0.25rem !important; margin-top: 0.5rem !important; text-transform: uppercase !important; font-weight: 700 !important;"><br></a><a class="text-uppercase text-secondary font-weight-bold d-block mb-1 mt-2" href="https://www.carocci.it/prodotto/il-poliziesco-e-la-letteratura-italiana-contemporanea#" data-toggle="modal" data-target="#description-modal" style="box-sizing: border-box; text-decoration: none; background-color: rgb(255, 255, 255); font-family: Inter, sans-serif; font-size: 16px; color: rgb(179, 31, 44) !important; outline: none !important; display: block !important; margin-bottom: 0.25rem !important; margin-top: 0.5rem !important; text-transform: uppercase !important; font-weight: 700 !important;"><span style="box-sizing: border-box; font-weight: bolder; color: rgb(33, 37, 41); text-transform: none;">Premessa<br style="box-sizing: border-box;">1. Ripensare il “poliziesco”</span><br style="box-sizing: border-box; color: rgb(33, 37, 41); font-weight: 400; text-transform: none;"><span style="color: rgb(33, 37, 41); font-weight: 400; text-transform: none;">Alle origini del “poliziesco”/I dintorni delle origini/Il “poliziesco” come genere e territorio di conflitto/Il “modo” poliziesco</span><br style="box-sizing: border-box; color: rgb(33, 37, 41); font-weight: 400; text-transform: none;"><span style="box-sizing: border-box; font-weight: bolder; color: rgb(33, 37, 41); text-transform: none;">2. Si fa presto a dire “giallo”</span><br style="box-sizing: border-box; color: rgb(33, 37, 41); font-weight: 400; text-transform: none;"><span style="color: rgb(33, 37, 41); font-weight: 400; text-transform: none;">Il modo poliziesco in Italia/Alla prova della serialità/Alla prova dei letterati/Alla prova dei generi/Alla prova di genere</span><br style="box-sizing: border-box; color: rgb(33, 37, 41); font-weight: 400; text-transform: none;"><span style="box-sizing: border-box; font-weight: bolder; color: rgb(33, 37, 41); text-transform: none;">3. Le figure del giallo</span><br style="box-sizing: border-box; color: rgb(33, 37, 41); font-weight: 400; text-transform: none;"><span style="color: rgb(33, 37, 41); font-weight: 400; text-transform: none;">Oltre la scena del delitto/Il criminale/L’indagatore istituzionale/E dintorni/L’indagatore privato e quello “comune”/E la spalla</span><br style="box-sizing: border-box; color: rgb(33, 37, 41); font-weight: 400; text-transform: none;"><span style="box-sizing: border-box; font-weight: bolder; color: rgb(33, 37, 41); text-transform: none;">4. Percorsi tematici nel giallo<br style="box-sizing: border-box;"></span><span style="color: rgb(33, 37, 41); font-weight: 400; text-transform: none;">Scrittura e impegno civile/Traumi e guasti della società/Raccontare il potere tra realtà e finzione/La contestazione e la lotta armata/La mafia, dal Sud al Nord?/La quotidianità: overtourism, razzismo, omofobia</span><br style="box-sizing: border-box; color: rgb(33, 37, 41); font-weight: 400; text-transform: none;"><span style="box-sizing: border-box; font-weight: bolder; color: rgb(33, 37, 41); text-transform: none;">5. Il giallo cambia pelle</span><br style="box-sizing: border-box; color: rgb(33, 37, 41); font-weight: 400; text-transform: none;"><span style="color: rgb(33, 37, 41); font-weight: 400; text-transform: none;">Il successo all’estero/Attraverso i media/Il giallo è un cavallo di Troia</span><br style="box-sizing: border-box; color: rgb(33, 37, 41); font-weight: 400; text-transform: none;"><span style="box-sizing: border-box; font-weight: bolder; color: rgb(33, 37, 41); text-transform: none;">Bibliografia<br style="box-sizing: border-box;">Indice dei nomi</span></a></div></div>